Since the beginnings of Andreas Kronthaler for Vivienne Westwood I have worked with stocks of discarded fabrics. Now the shelves are almost empty, what’s left are rolls of mesh (the material normally used for corsetry).

Since the beginnings of Andreas Kronthaler for Vivienne Westwood I have worked with stocks of discarded fabrics. Now the shelves are almost empty, what’s left are rolls of mesh (the material normally used for corsetry).